Monday, April 16, 2018
A QUIET PLACE: SOUNDING THE SILENCE
Directed by John Krasinski and starring Emily Blunt and John Krasinski.
A QUIET PLACE keeps us on tiptoe, listening. Listening. . . for what???
Outside the guarded perimeter of the Abbot Iowa farm house lurk Monstrous Presences. They prowl unseen through the meadow grasses. But we hear their chattering jaws and gnashing teeth. Although these Creatures are blind, the slightest sound from humans brings them instantly to the scene, where they savagely devour their prey. Any sound is fatal. And when the youngest Abbot child accidentally triggers the tinny sound of a toy, they are on him in an instant. And he is gone, without a trace.
Who these Creatures are and how they came here is unknown. Only a handful of newspaper clippings tacked onto the Abbot’s basement bulletin board hint at some sort of invasion that has left the world hostage to sound—any sound, natural or human. Cities and towns, ordinarily a cacophony of sounds, have gone silent. Only the quieter countryside offers refuge. And here are the Abbots, marooned and embattled within their guarded perimeter. Their only advantage is that they can see and the murdering Creatures cannot. So, quietly, voicelessly, the Abbots go about their days and nights, under siege, ever on guard against making the slightest sound. Down in the farm’s basement, Father taps out radio signals in a futile attempt to reach the outside world. He keeps a cache of noisy fireworks out in the field in case their noise is needed to distract the Creatures away from the farm. And a perimeter of lights are color coded—green for safety, red for danger.
Despite the deadly menace of these creatures—soon revealed to be hideous, scaly, arachnoid-like creatures—the focus of the film holds the Abbots in a tight and loving embrace. It is their story, after all. The young children are smart and protective of each other. And when Mom and Dad find a precious moment to embrace in a quiet dance, the moment is a brave defiance of love against encroaching evil. They are survivors. Ironically, however, the love that binds the family together ultimately brings about its own dangers. It is love that impels the father to issue suicidal screams to attract the Creatures away from his young son. The loving embrace of the mother for her newborn baby threatens to attract the Creatures prowling about the farm’s basement. Indeed, the birthing sequence must be counted among the most harrowing moments in this or any film.
It is left to the eldest daughter, whose deafness has taught them to communicate by sign language, to discover a way to ward off the creatures. The high-pitched shriek of her ear-piece shatters the Creatures’ highly-developed, sensitive ear drums, allowing Mom time enough to level a fatal shotgun blast. Until the next invasion. In the film’s final moments, she cocks the rifle and waits.
What makes A QUIET PLACE so effective is a soundtrack that insists on suppressing all sounds. And in doing, it enhances the smallest sounds. Too many standard-issue horror films do the opposite: They pump up the volume. They don’t frighten, they only deafen. There have been a few blessed exceptions: Preceding A QUIET PLACE a few years ago was a film called Don’t Breathe, a symphony of soundless horror. It was about three thieves who were held hostage in a darkened house owned by a murderous blind man whose preternatural aural faculties alerted him to their slightest noise. Much of the action held everyone frozen in position, silently poised a few scant feet from one another, the slightest sound both a protection and a danger to predator and victim alike. Let the Right One In and The Eyes of My Mother are two more recent films that deployed silence to provoke our ghastliest nightmares.
Now, A Quiet Place makes us listen. I must admit, however, that there is one drawback to all this: In the theater, we’re more aware of the popcorn munchers and paper-bag rattlers than ever. And those sounds can be like thunder.
This is the debut dramatic film from director John Krasinski, who also appears in the cast opposite his wife in real life, Emily Blunt.